Olivier Père
Policeman (Nadav Lapid, Israel)
By Olivier Pere | | CS48, From Cinema Scope Magazine, Spotlight
By Olivier Père It’s been a long time since a first feature has displayed such masterly direction as Nadav Lapid’s Policeman (Hashoter), such a sense of connection to the films of Godard, Bresson, Fassbinder, Kubrick, and Haneke, and giving those more perceptive viewers such a conviction of witnessing the arrival of an outstanding filmmaker while…
Read More The Decade in Review | Olivier Père
By Olivier Pere | | CS42, The Decade In Review
Russian Ark by Alexander Sokurov (2002) The last great master, in the Viscontian sense of European cinema. And one of the great digital artists, endowing digital with a Proustian impact. His films raise issues about preservation (of History, Art) and memory. I could equally well cite his magnificent film The Sun. Black Book by Paul…
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