Kelly Reichardt

Cinema Scope Issue 92 | Table of Contents

Interviews with Kelly Reichardt, Cyril Schäublin, Olivier Assayas. Features, Columns and more.
Read More

Take These Broken Wings: Kelly Reichardt on “Showing Up”

“We thought we were writing a film that was partly comedic in tone. I can find a lot to laugh at with liberal arts while still believing liberal arts are super-important. Some of the situations in Showing Up are comical, but the people aren’t stereotypes—we really tried to stay away from that.”
Read More

Cinema Scope Magazine 92: Editor’s Note

we shouldn’t forget the reasons why we all got into this job in the first place, which is the promotion of film as an art form. The impact that festivals have on general art-house distribution should not be overlooked; of course, as touched on above, sometimes it’s the distributor who decides to skip festival screenings for certain films, because everyone has their reasons.
Read More

TIFF 2013 | Night Moves (Kelly Reichardt, USA)—Special Presentation

By Alexandra Zawia It’s remarkable how Kelly Reichardt takes on different genres and makes them her own, undermining expectations by moving elliptically within specific conventions and creating a radical atmosphere. In Meek’s Cutoff, she chose to shoot a Western from the restricted perspectives of her characters, as if from underneath the brims of their hats,…
Read More

Kelly Reichardt

By Jason McBride I’ve seen each of Kelly Reichardt’s feature films at least twice, but for some reason I can never really remember how they end. This despite the fact that they all end in roughly the same way: which is sort of not ending at all, with characters still in motion, heading somewhere, anywhere,…
Read More