Deborah Stratman

Aether/Ore: Post-Humanism in Deborah Stratman’s Last Things

Last Things, the latest work from Deborah Stratman, participates in a small but growing trend in experimental filmmaking. Following certain tendencies in contemporary philosophy, Last Things attempts to communicate a radically non-anthropocentric view of existence.
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Issue 59 Table of Contents

This is the complete list of articles from the print magazine issue of Cinema Scope #59. We post selected articles from each issue on the site. For the complete content please subscribe to the magazine, or consider the instant digital download version. Articles available free online are linked below. FEATURES AND INTERVIEWS *Declarations of Independence: A Conversation Between Alex Ross Perry…
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Deborah Stratman: Safe and Sound

By Samuel La France “Fear is static that prevents me from hearing myself.”—Samuel Butler Since I’ve never lived in an earthquake zone—or a war zone, for that matter—the subtle and persistent tremors of Deborah Stratman’s installation Tactical Uses of a Belief in the Unseen (2), mounted at Toronto’s Mercer Union during the 25th Images Festival,…
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