Cannes 2012

The Cheshire Cat Quinzaine

By Robert Koehler It was either a sign of the measure of the complete revulsion felt by those who had worked with previous Quinzaine des Réalisateurs director Frédéric Boyer, or an expression of relief that the 44th edition was coming to a conclusion (or both), that new director Eduoard Waintrop was thanked from the Theatre…
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Post Tenebras Lux (Carlos Reygadas, Mexico)

By Tom Charity Hand it to Cannes: where else do art films get booed? On the rest of the planet, your typically well-adjusted art-house aficionado understands to appreciate whatever challenges the filmmaker has set…or the viewer walks out. To be sure, there are walkouts here too, but a good many hardier souls take it upon…
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Amour (Michael Haneke, France/Austria)

By Christoph Huber Besting Bille August by a year, it has taken Austrian director Michael Haneke only four to join what we cynical film critics like to call the Emir club: the allegedly prestigious circle of two-time Palme d’Or winners, hitherto occupied only by Kusturica (1985, 1995), August (1988, 1992), and the Dardennes (1999, 2005).…
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