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	<title>Cinema Scope &#187; Interviews</title>
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	<description>Expanding the Frame on International Cinema</description>
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		<title>Middlegame: An Interview with Andrew Bujalski</title>
		<link>http://cinema-scope.com/cinema-scope-magazine/middlegame-an-interview-with-andrew-bujalski/</link>
		<comments>http://cinema-scope.com/cinema-scope-magazine/middlegame-an-interview-with-andrew-bujalski/#comments</comments>
		<pubDate>Thu, 21 Mar 2013 04:24:48 +0000</pubDate>
		<dc:creator>Phil Coldiron</dc:creator>
				<category><![CDATA[CS54]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7088</guid>
		<description><![CDATA[By Phil Coldiron Here’s a human point: this little introduction to the following interview with Andrew Bujalski on the occasion of the Sundance and Berlin premieres of his extraordinary new film, Computer Chess, has given me more sleepless nights than just about anything I’ve ever written. In a way that very few films have ever [...]]]></description>
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		<item>
		<title>After-School Special: Joseph Kahn’s Detention</title>
		<link>http://cinema-scope.com/cinema-scope-magazine/after-school-special-joseph-kahns-detention/</link>
		<comments>http://cinema-scope.com/cinema-scope-magazine/after-school-special-joseph-kahns-detention/#comments</comments>
		<pubDate>Thu, 21 Mar 2013 04:19:30 +0000</pubDate>
		<dc:creator>Adam Nayman</dc:creator>
				<category><![CDATA[CS54]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Detention]]></category>
		<category><![CDATA[Joseph Kahn]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7073</guid>
		<description><![CDATA[By Adam Nayman No American filmmaker in recent years has put his money where his mouth is like Joseph Kahn, the director of music videos for artists including Britney Spears, Destiny’s Child, Eminem, Gwen Stefani, Katy Perry, Kylie Minogue, Mariah Carey, Lady Gaga, U2, and Wu-Tang Clan. These are big names, and for the part [...]]]></description>
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		<title>Forced Exchange: Nicolás Pereda and Jacob Schulsinger on Killing Strangers</title>
		<link>http://cinema-scope.com/cinema-scope-online/forced-exchange-nicolas-pereda-and-jacob-schulsinger-on-killing-strangers/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/forced-exchange-nicolas-pereda-and-jacob-schulsinger-on-killing-strangers/#comments</comments>
		<pubDate>Fri, 15 Feb 2013 16:27:20 +0000</pubDate>
		<dc:creator>Adam Cook</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Jacob Schulsinger]]></category>
		<category><![CDATA[Killing Strangers]]></category>
		<category><![CDATA[Nicolás Pereda]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7027</guid>
		<description><![CDATA[By Adam Cook Now in its fourth year, DOX:LAB is an initiative of Copenhagen’s CPH:DOX documentary film festival that pairs a European and non-European filmmaker together to collaborate on a film via a CPH:DOX development grant. The 2012 program brought together Mexican-Canadian filmmaker Nicolás Pereda with Denmark’s Jacob Secher Schulsinger, who has worked as an [...]]]></description>
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		<title>Antoine Bourges on East Hastings Pharmacy</title>
		<link>http://cinema-scope.com/cinema-scope-online/antoine-bourges-on-east-hastings-pharmacy/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/antoine-bourges-on-east-hastings-pharmacy/#comments</comments>
		<pubDate>Fri, 11 Jan 2013 22:43:43 +0000</pubDate>
		<dc:creator>Michael Vass</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Antoine Bourges]]></category>
		<category><![CDATA[East Hastings Pharmacy]]></category>
		<category><![CDATA[Jeff Wall]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6958</guid>
		<description><![CDATA[By Michael Vass When Paris-born filmmaker Antoine Bourges moved from Montréal to Vancouver in 2006, he ended up living and working near the infamous Downtown Eastside neighbourhood. This led Bourges to make a pair of films in the community with its residents: the short Woman Waiting (2010), and the medium-length 2012 feature East Hastings Pharmacy, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>No Sound Is Innocent: Peter Strickland’s Berberian Sound Studio</title>
		<link>http://cinema-scope.com/cinema-scope-magazine/no-sound-is-innocent-peter-stricklands-berberian-sound-studio/</link>
		<comments>http://cinema-scope.com/cinema-scope-magazine/no-sound-is-innocent-peter-stricklands-berberian-sound-studio/#comments</comments>
		<pubDate>Sun, 16 Dec 2012 18:45:56 +0000</pubDate>
		<dc:creator>Jason Anderson</dc:creator>
				<category><![CDATA[CS53]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6792</guid>
		<description><![CDATA[By Jason Anderson A cunningly crafted, slyly satirical, and deeply unsettling tale of a movie sound engineer losing his grasp on reality amid the obsolete tools of cinema’s analogue age, Berberian Sound Studio immediately takes a place near the top of a very short list of feature films that prioritize matters (and mysteries) of sound [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Find Me Guilty: Joshua Oppenheimer’s The Act of Killing</title>
		<link>http://cinema-scope.com/cinema-scope-magazine/24-find-me-guilty-joshua-oppenheimers-the-act-of-killing/</link>
		<comments>http://cinema-scope.com/cinema-scope-magazine/24-find-me-guilty-joshua-oppenheimers-the-act-of-killing/#comments</comments>
		<pubDate>Sun, 16 Dec 2012 18:43:16 +0000</pubDate>
		<dc:creator>Adam Nayman</dc:creator>
				<category><![CDATA[CS53]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6787</guid>
		<description><![CDATA[By Adam Nayman Like most other documentaries about people who are certifiably insane, The Act of Killing raises questions about the exploitation of its subjects. Namely: Is it even possible to exploit men who freely and in some cases gleefully admit to the torture, rape, and murder of untold scores of their countrymen? And also: [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>He and “I”:  Joaõ Pedro Rodrigues and Joaõ Rui Guerra da Mata on The Last Time I Saw Macao</title>
		<link>http://cinema-scope.com/cinema-scope-magazine/he-and-i-joao-pedro-rodrigues-and-joao-rui-guerra-da-mata-on-the-last-time-i-saw-macao/</link>
		<comments>http://cinema-scope.com/cinema-scope-magazine/he-and-i-joao-pedro-rodrigues-and-joao-rui-guerra-da-mata-on-the-last-time-i-saw-macao/#comments</comments>
		<pubDate>Sun, 16 Dec 2012 18:30:05 +0000</pubDate>
		<dc:creator>Aaron Cutler</dc:creator>
				<category><![CDATA[CS53]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6781</guid>
		<description><![CDATA[By Aaron Cutler “Goodbye Lady from Macao” reads a newspaper headline at the end of Joaõ Pedro Rodrigues and Joaõ Rui Guerra da Mata’s short Red Dawn (2011), an unnervingly straightforward view of fish and livestock being sliced open in Macao’s Red Market. This tribute to the recently departed Jane Russell, the sultry wonder who [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Golden Girls: Sean Baker’s Starlet</title>
		<link>http://cinema-scope.com/cinema-scope-magazine/golden-girls-sean-bakers-starlet/</link>
		<comments>http://cinema-scope.com/cinema-scope-magazine/golden-girls-sean-bakers-starlet/#comments</comments>
		<pubDate>Tue, 11 Sep 2012 23:39:12 +0000</pubDate>
		<dc:creator>Adam Nayman</dc:creator>
				<category><![CDATA[CS52]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Dree Hemingway]]></category>
		<category><![CDATA[Sean Baker]]></category>
		<category><![CDATA[Starlet]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6426</guid>
		<description><![CDATA[The opening shot of Sean Baker’s fourth feature Starlet is beautiful, and not just because it (eventually) rests on Dree Hemingway. Underneath dreamy, faintly menacing music by Manual, we fade up on a mottled wall cast in sunlight, with some sort of tousled mass peeking out slightly from below. That little blonde outcropping is our [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Wandering in Vienna: Jem Cohen and the Adventure of Museum Hours</title>
		<link>http://cinema-scope.com/cinema-scope-magazine/wandering-in-vienna-jem-cohen-and-the-adventure-of-museum-hours/</link>
		<comments>http://cinema-scope.com/cinema-scope-magazine/wandering-in-vienna-jem-cohen-and-the-adventure-of-museum-hours/#comments</comments>
		<pubDate>Tue, 11 Sep 2012 23:36:51 +0000</pubDate>
		<dc:creator>Robert Koehler</dc:creator>
				<category><![CDATA[CS52]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Jem Cohen]]></category>
		<category><![CDATA[Kunsthistorichesmuseum]]></category>
		<category><![CDATA[Mary Margaret O'Hara]]></category>
		<category><![CDATA[Museum Hours]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6422</guid>
		<description><![CDATA[“Kunsthistorisches. It’s the big old one.” This is how Vienna’s massive, venerable, lovely and, indeed, elderly central art museum is termed in Jem Cohen’s Museum Hours, and it neatly sums up the film’s warm, casual attitude toward weighty cultural institutions while serving as a way of reframing formerly perceived paragons of elitism in a more [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Lost in the Moment: Peter Mettler on The End of Time</title>
		<link>http://cinema-scope.com/cinema-scope-magazine/lost-in-the-moment-peter-mettler-on-the-end-of-time/</link>
		<comments>http://cinema-scope.com/cinema-scope-magazine/lost-in-the-moment-peter-mettler-on-the-end-of-time/#comments</comments>
		<pubDate>Tue, 11 Sep 2012 23:30:28 +0000</pubDate>
		<dc:creator>Jason Anderson</dc:creator>
				<category><![CDATA[CS52]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Peter Mettler]]></category>
		<category><![CDATA[The End of Time]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6414</guid>
		<description><![CDATA[After travelling through such far-flung sites as Detroit, Hawaii, India, and the geek-tacular labyrinth that is CERN’s Large Hadron Collider near Geneva, Peter Mettler’s latest documentary finally leaves the material world altogether, arriving at a ripping pool of sounds and images that rates as the most splendiferously trippy sequence of the filmmaker’s career. Yet there’s [...]]]></description>
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