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	<title>Cinema Scope &#187; Festivals</title>
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	<description>Expanding the Frame on International Cinema</description>
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		<title>Between the Walls: Images Festival 2013</title>
		<link>http://cinema-scope.com/cinema-scope-online/between-the-walls-images-festival-2013/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/between-the-walls-images-festival-2013/#comments</comments>
		<pubDate>Sat, 20 Apr 2013 16:53:34 +0000</pubDate>
		<dc:creator>Michael Sicinski</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7292</guid>
		<description><![CDATA[By Michael Sicinski Was 2013 a strong year for Toronto’s Images Festival? It’s quite possible, although in some ways it depends on where you look and, as per this festival’s unique mandate, how one looks. Unlike most other showcases of experimental film and video, Images has been integrating gallery and museum work into its presentations [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Some Kind of Monster: True/False 2013</title>
		<link>http://cinema-scope.com/cinema-scope-online/some-kind-of-monster-truefalse-2013-2/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/some-kind-of-monster-truefalse-2013-2/#comments</comments>
		<pubDate>Tue, 19 Mar 2013 01:36:48 +0000</pubDate>
		<dc:creator>Eric Hynes</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[David Holzman's Diary]]></category>
		<category><![CDATA[Northern Light]]></category>
		<category><![CDATA[Sleepless Nights]]></category>
		<category><![CDATA[These Birds Walk]]></category>
		<category><![CDATA[True/False Film Festival]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7055</guid>
		<description><![CDATA[By Eric Hynes The new word was politely forced upon me, the result of fraught late-night deliberations not unlike those between expectant parents. In fall of 2012, I was commissioned by the programmers of the True/False Film Festival (festival founders Paul Sturtz and David Wilson, along with associate Chris Boeckmann) to curate four historical films [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>A Confrontation with Madness: Punto de Vista International Documentary Film Festival 2013</title>
		<link>http://cinema-scope.com/cinema-scope-online/a-confrontation-with-madness-punto-de-vista-international-documentary-film-festival-2013/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/a-confrontation-with-madness-punto-de-vista-international-documentary-film-festival-2013/#comments</comments>
		<pubDate>Tue, 12 Mar 2013 21:22:01 +0000</pubDate>
		<dc:creator>Andrés Duque</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Christian von Borries]]></category>
		<category><![CDATA[Germán Scelso]]></category>
		<category><![CDATA[Punto de Vista International Documentary Film Festival]]></category>
		<category><![CDATA[Virginia García del Pino]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7044</guid>
		<description><![CDATA[By Andrés Duque Be uncomfortable; be sand, not oil in the machinery of the world.—Gunter Eich Following the 2011 edition of the Punto de Vista International Documentary Film Festival—to which I had been invited to screen my film Colour Runaway Dog—it was announced that, due to austerity measures imposed by the current Spanish government, the [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Future Imperfect: IFFR 2013</title>
		<link>http://cinema-scope.com/cinema-scope-online/future-imperfect-iffr-2013/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/future-imperfect-iffr-2013/#comments</comments>
		<pubDate>Wed, 06 Feb 2013 01:08:06 +0000</pubDate>
		<dc:creator>Kiva Reardon</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Disappearing Landscape]]></category>
		<category><![CDATA[Emperor Visits the Hell]]></category>
		<category><![CDATA[Krivina]]></category>
		<category><![CDATA[The Fifth Gospel of Kaspar Hauser]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7009</guid>
		<description><![CDATA[By Kiva Reardon Whether one is lamenting not having enough time to see personal picks or having hedged one’s bets on a dud, regret is intrinsic to any festival experience. Cue the tears, then, as this writer’s International Film Festival Rotterdam was dominated by the Bright Future section, the festival’s showcase of debut and sophomore [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Escape from Park City: Sundance 2013</title>
		<link>http://cinema-scope.com/cinema-scope-online/escape-from-park-city-sundance-2013/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/escape-from-park-city-sundance-2013/#comments</comments>
		<pubDate>Mon, 28 Jan 2013 02:04:57 +0000</pubDate>
		<dc:creator>Michael Nordine</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6995</guid>
		<description><![CDATA[By Michael Nordine Sundance confounds nearly as many expectations as it confirms. As one could predict, this year&#8217;s edition saw the expected bounty of laughable Amerindies (Kill Your Darlings, Breathe In) and social-issue documentaries (After Tiller, Pussy Riot – A Punk Prayer) whose Park City premieres were obligatory stops on their path toward the warm [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Festivals &#124; Rome, Around the World</title>
		<link>http://cinema-scope.com/cinema-scope-online/festivals-rome-around-the-world/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/festivals-rome-around-the-world/#comments</comments>
		<pubDate>Sat, 08 Dec 2012 20:58:08 +0000</pubDate>
		<dc:creator>Celluloid Liberation Front</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Bullet to the Head]]></category>
		<category><![CDATA[Julio Bressane]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>
		<category><![CDATA[Rome Film Festival]]></category>
		<category><![CDATA[Sylvester Stallone]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=6772</guid>
		<description><![CDATA[By Celluloid Liberation Front Given the disastrous and shapeless state that has characterized the Rome Film Festival since its unfortunate inception, it was not hard for Marco Mueller and his team to come up this year with something less vapid than what preceded. At the same time it was unthinkable that the festival’s identity and [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Megaphone Cinema: Ten Films from Locarno</title>
		<link>http://cinema-scope.com/cinema-scope-online/megaphone-cinema-ten-films-from-locarno/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/megaphone-cinema-ten-films-from-locarno/#comments</comments>
		<pubDate>Fri, 17 Aug 2012 21:15:17 +0000</pubDate>
		<dc:creator>Adam Cook</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=5992</guid>
		<description><![CDATA[By Adam Cook Every film festival has good and bad films. There’s no way to avoid it. Some have a better ratio of quality films, but every festival makes compromises with their programming. For one reason or another, to appease the needs of sources of funding, or to maintain relationships with certain producers, some films [...]]]></description>
		<wfw:commentRss>http://cinema-scope.com/cinema-scope-online/megaphone-cinema-ten-films-from-locarno/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Desiring to Desire: FIDMarseille 2012</title>
		<link>http://cinema-scope.com/cinema-scope-online/desiring-to-desire-fidmarseille-2012/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/desiring-to-desire-fidmarseille-2012/#comments</comments>
		<pubDate>Fri, 03 Aug 2012 15:00:57 +0000</pubDate>
		<dc:creator>Philip Cartelli</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=5983</guid>
		<description><![CDATA[By Philip Cartelli On the opening night of this year’s FIDMarseille, Miguel Gomes received a resounding round of applause after congratulating the FID’s director, Jean-Pierre Rehm, for “understanding what was missing from every documentary festival: fiction.” Beyond the current trendiness for exhuming these terms, the FID’s organizers have recently questioned their own trajectory between “documentary” [...]]]></description>
		<wfw:commentRss>http://cinema-scope.com/cinema-scope-online/desiring-to-desire-fidmarseille-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Cheshire Cat Quinzaine</title>
		<link>http://cinema-scope.com/spotlight/the-cheshire-cat-quinzaine/</link>
		<comments>http://cinema-scope.com/spotlight/the-cheshire-cat-quinzaine/#comments</comments>
		<pubDate>Sun, 24 Jun 2012 21:28:22 +0000</pubDate>
		<dc:creator>Robert Koehler</dc:creator>
				<category><![CDATA[CS51]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[Cannes 2012]]></category>
		<category><![CDATA[The Cheshire Cat Quinzaine]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=5714</guid>
		<description><![CDATA[By Robert Koehler It was either a sign of the measure of the complete revulsion felt by those who had worked with previous Quinzaine des Réalisateurs director Frédéric Boyer, or an expression of relief that the 44th edition was coming to a conclusion (or both), that new director Eduoard Waintrop was thanked from the Theatre [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Post Tenebras Lux (Carlos Reygadas, Mexico)</title>
		<link>http://cinema-scope.com/spotlight/post-tenebras-lux-carlos-reygadas-mexico/</link>
		<comments>http://cinema-scope.com/spotlight/post-tenebras-lux-carlos-reygadas-mexico/#comments</comments>
		<pubDate>Sun, 24 Jun 2012 21:26:06 +0000</pubDate>
		<dc:creator>Tom Charity</dc:creator>
				<category><![CDATA[CS51]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[From The Magazine]]></category>
		<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[Cannes 2012]]></category>
		<category><![CDATA[Carlos Reygadas]]></category>
		<category><![CDATA[Post Tenebras Lux]]></category>
		<category><![CDATA[Tom Charity]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=5711</guid>
		<description><![CDATA[By Tom Charity Hand it to Cannes: where else do art films get booed? On the rest of the planet, your typically well-adjusted art-house aficionado understands to appreciate whatever challenges the filmmaker has set…or the viewer walks out. To be sure, there are walkouts here too, but a good many hardier souls take it upon [...]]]></description>
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		<slash:comments>0</slash:comments>
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