By Michael Sicinski [Note: this review contains mild spoilers.] In his most recent film with Sophie Fiennes, The Pervert’s Guide More →
We’ve just added Jonathan’s piece to the web archive for issue 46.
“Underneath the Persian credits, over heavy metal music, the camera roams around inside a colour photograph, grazing over pointillist surfaces and male faces—finally pulling back to reveal the Islamic Revolution Guard Corps in 1983, getting ready to drive their motorcycles over a huge replica of the American flag on the pavement in front of them. Cut to black and the film’s title, The Hunter.”