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	<title>Cinema Scope &#187; Cinema Scope Online</title>
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	<description>Expanding the Frame on International Cinema</description>
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		<title>Trash Humping: On &#8220;Vulgar Auteurism&#8221;</title>
		<link>http://cinema-scope.com/cinema-scope-online/trash-humping/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/trash-humping/#comments</comments>
		<pubDate>Fri, 31 May 2013 01:35:38 +0000</pubDate>
		<dc:creator>Andrew Tracy</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[vulgar auteurism]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7323</guid>
		<description><![CDATA[From “Vulgar Auteurism: The Case of Michael Mann” (Cinema Scope #40, Fall 2009): [Vulgar auteurism] is one of the defining traits of latter-day cinephilia, with whole fleets of past and present studio craftsmen, from the competent to the questionable, being elevated high above their stations via tendentious interpretations of thematic consistency and a specious formalism [...]]]></description>
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		<title>Boring Twenties: Baz Luhrmann’s The Great Gatsby</title>
		<link>http://cinema-scope.com/currency/boring-twenties-baz-luhrmanns-the-great-gatsby/</link>
		<comments>http://cinema-scope.com/currency/boring-twenties-baz-luhrmanns-the-great-gatsby/#comments</comments>
		<pubDate>Fri, 10 May 2013 22:25:39 +0000</pubDate>
		<dc:creator>Adam Nayman</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Currency]]></category>
		<category><![CDATA[Baz Luhrmann]]></category>
		<category><![CDATA[Carey Mulligan]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[The Great Gatsby]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7312</guid>
		<description><![CDATA[By Adam Nayman Before it’s even begun, Cannes 2013 is off to a dubious start with The Great Gatsby. Even if nobody really expected this latest version of F. Scott Fitzgerald’s epochal novel to be worthy (of an Opening Night slot or anything else), it doesn’t even manage to be outrageous. For long stretches Baz [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Deaths of Cinema &#124; Blank Slate: Remembering Les Blank</title>
		<link>http://cinema-scope.com/columns/deaths-of-cinema-blank-slate-remembering-les-blank/</link>
		<comments>http://cinema-scope.com/columns/deaths-of-cinema-blank-slate-remembering-les-blank/#comments</comments>
		<pubDate>Sun, 28 Apr 2013 00:01:36 +0000</pubDate>
		<dc:creator>Max Goldberg</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Columns]]></category>
		<category><![CDATA[Les Blank]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7297</guid>
		<description><![CDATA[By Max Goldberg Much like the bastions of freedom and vernacular art he so lovingly recorded, Les Blank’s films seem a kind of arcadia on the horizon of documentary film. Blank died earlier this month at the age of 77, leaving behind a singularly festive body of work. Especially in the many small masterpieces shot [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Between the Walls: Images Festival 2013</title>
		<link>http://cinema-scope.com/cinema-scope-online/between-the-walls-images-festival-2013/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/between-the-walls-images-festival-2013/#comments</comments>
		<pubDate>Sat, 20 Apr 2013 16:53:34 +0000</pubDate>
		<dc:creator>Michael Sicinski</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7292</guid>
		<description><![CDATA[By Michael Sicinski Was 2013 a strong year for Toronto’s Images Festival? It’s quite possible, although in some ways it depends on where you look and, as per this festival’s unique mandate, how one looks. Unlike most other showcases of experimental film and video, Images has been integrating gallery and museum work into its presentations [...]]]></description>
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		<title>By the Book: Evil Dead</title>
		<link>http://cinema-scope.com/currency/by-the-book-evil-dead/</link>
		<comments>http://cinema-scope.com/currency/by-the-book-evil-dead/#comments</comments>
		<pubDate>Fri, 05 Apr 2013 17:32:39 +0000</pubDate>
		<dc:creator>Adam Nayman</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Currency]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7279</guid>
		<description><![CDATA[By Adam Nayman In Fede Alvarez’s Evil Dead—which pointedly but pointlessly drops the definite article from its title—the demonic spirit is willing and the flesh is as weak as it needs to be: not since Carter Smith’s underrated 2006 adaptation of The Ruins (or maybe Danny Boyle’s 127 Hours) has a movie focused so intently [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>“No One Can Survive In That Water”: Jane Campion and Garth Davis’ Top of the Lake</title>
		<link>http://cinema-scope.com/currency/no-one-can-survive-in-that-water-jane-campion-and-garth-davis-top-of-the-lake/</link>
		<comments>http://cinema-scope.com/currency/no-one-can-survive-in-that-water-jane-campion-and-garth-davis-top-of-the-lake/#comments</comments>
		<pubDate>Mon, 01 Apr 2013 02:08:19 +0000</pubDate>
		<dc:creator>Michael Sicinski</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Currency]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7263</guid>
		<description><![CDATA[By Michael Sicinski Although the new miniseries Top of the Lake had its world premiere this past January at the Sundance Film Festival, it is darkly fortuitous that it should have its television run two months later. March has seen the emergence of details from the rape of a young woman in Steubenville, Ohio, material [...]]]></description>
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		<title>Some Kind of Monster: True/False 2013</title>
		<link>http://cinema-scope.com/cinema-scope-online/some-kind-of-monster-truefalse-2013-2/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/some-kind-of-monster-truefalse-2013-2/#comments</comments>
		<pubDate>Tue, 19 Mar 2013 01:36:48 +0000</pubDate>
		<dc:creator>Eric Hynes</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[David Holzman's Diary]]></category>
		<category><![CDATA[Northern Light]]></category>
		<category><![CDATA[Sleepless Nights]]></category>
		<category><![CDATA[These Birds Walk]]></category>
		<category><![CDATA[True/False Film Festival]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7055</guid>
		<description><![CDATA[By Eric Hynes The new word was politely forced upon me, the result of fraught late-night deliberations not unlike those between expectant parents. In fall of 2012, I was commissioned by the programmers of the True/False Film Festival (festival founders Paul Sturtz and David Wilson, along with associate Chris Boeckmann) to curate four historical films [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
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		<title>A Confrontation with Madness: Punto de Vista International Documentary Film Festival 2013</title>
		<link>http://cinema-scope.com/cinema-scope-online/a-confrontation-with-madness-punto-de-vista-international-documentary-film-festival-2013/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/a-confrontation-with-madness-punto-de-vista-international-documentary-film-festival-2013/#comments</comments>
		<pubDate>Tue, 12 Mar 2013 21:22:01 +0000</pubDate>
		<dc:creator>Andrés Duque</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Christian von Borries]]></category>
		<category><![CDATA[Germán Scelso]]></category>
		<category><![CDATA[Punto de Vista International Documentary Film Festival]]></category>
		<category><![CDATA[Virginia García del Pino]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7044</guid>
		<description><![CDATA[By Andrés Duque Be uncomfortable; be sand, not oil in the machinery of the world.—Gunter Eich Following the 2011 edition of the Punto de Vista International Documentary Film Festival—to which I had been invited to screen my film Colour Runaway Dog—it was announced that, due to austerity measures imposed by the current Spanish government, the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Forced Exchange: Nicolás Pereda and Jacob Schulsinger on Killing Strangers</title>
		<link>http://cinema-scope.com/cinema-scope-online/forced-exchange-nicolas-pereda-and-jacob-schulsinger-on-killing-strangers/</link>
		<comments>http://cinema-scope.com/cinema-scope-online/forced-exchange-nicolas-pereda-and-jacob-schulsinger-on-killing-strangers/#comments</comments>
		<pubDate>Fri, 15 Feb 2013 16:27:20 +0000</pubDate>
		<dc:creator>Adam Cook</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Jacob Schulsinger]]></category>
		<category><![CDATA[Killing Strangers]]></category>
		<category><![CDATA[Nicolás Pereda]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7027</guid>
		<description><![CDATA[By Adam Cook Now in its fourth year, DOX:LAB is an initiative of Copenhagen’s CPH:DOX documentary film festival that pairs a European and non-European filmmaker together to collaborate on a film via a CPH:DOX development grant. The 2012 program brought together Mexican-Canadian filmmaker Nicolás Pereda with Denmark’s Jacob Secher Schulsinger, who has worked as an [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>And Everything Is Not Going Fine: Steven Soderbergh&#8217;s Side Effects</title>
		<link>http://cinema-scope.com/currency/and-everything-is-not-going-fine-steven-soderberghs-side-effects/</link>
		<comments>http://cinema-scope.com/currency/and-everything-is-not-going-fine-steven-soderberghs-side-effects/#comments</comments>
		<pubDate>Tue, 12 Feb 2013 19:34:27 +0000</pubDate>
		<dc:creator>Vadim Rizov</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Currency]]></category>
		<category><![CDATA[Catherine Zeta-Jones]]></category>
		<category><![CDATA[Channing Tatum]]></category>
		<category><![CDATA[Jude Law]]></category>
		<category><![CDATA[Rooney Mara]]></category>
		<category><![CDATA[Side Effects]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/?p=7019</guid>
		<description><![CDATA[By Vadim Rizov Critics arriving late to press screenings of Steven Soderbergh’s Side Effects were greeted by an unusual sign: &#8220;Dear Invited Guest, due to the non-linear nature of this film, it would be unrewarding for you to enter at this point. We look forward to welcoming you at the next screening. Best regards, The [...]]]></description>
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