Features

Philosophy in the Woods: Albert Serra’s Libertines by Phil Coldiron

Come on Feel the Noise: The Films of Andrés Duque by Leo Goldsmith

Truth and Method: The Films of Thomas Heise by Michael Sicinski

A Case for “Mere” Recording: Films by Ryan Ermacora and Jessica Johnson by Jaclyn Bruneau

Thinking in Images: Scott Walker and Cinema by Christoph Huber

The Meeting of Two Queens: Doris Wishman and Peggy Ahwesh by Elena Gorfinkel

The Good Fight: The Films of Julia Reichert by Bob Kotyk

Spotlight

Cannes 2019: Return to Form by Mark Peranson

Parasite by Adam Cook

Atlantique by Jesse Cumming

Bacurau by James Lattimer

It Must Be Heaven by Richard Porton

Mektoub, My Love: Intermezzo by Giovanni Marchini Camia

Jeanne by Blake Williams

Tommaso by Manuela Lazic

Killer Styles: The 51st Quinzaine des Réalisateurs by Jordan Cronk

J’ai perdu mon corps by Jason Anderson

Nuestras Madres by Ela Bittencourt

Columns

Editor’s Note by Mark Peranson

Deaths of Cinema: Agnès Varda, 1928–2019 by Jess Cotton

Film/Art: The 58th Venice Biennale by Erika Balsom

TV or Not TV: Succession by Brendan Boyle

Global Discoveries on DVD by Jonathan Rosenbaum

Exploded View: Flaubert Dreams of Travel But the Illness of His Mother Prevents It by Chuck Stephens

Currency

The Souvenir by Robert Koehler

The Hottest August by Adam Nayman

Diamantino by Angelo Muredda

Too Late to Die Young by Josh Cabrita

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From the Magazine

  • Cinema Scope 79 Table of Contents
    Cinema Scope 79 Table of Contents

    Cinema Scope Issue 79 with Features including .. Truth and Method: The Films of Thomas Heise by Michael Sicinski, Thinking in Images: Scott Walker and Cinema by Christoph Huber, 58th Venice Biennale, Cannes and DVD Reviews. More →

  • Issue 79 Editor’s Note
    Issue 79 Editor’s Note

    Excuse me if I come across as discombobulated, it’s not because of any movie I’ve watched recently. No, I’m talking about far more important things than cinema: this issue is in the process of being closed while deep in the throes of Raptors mania, to be precise, the incredible goings-on of Game 4. More →

  • The Good Fight: The Films of Julia Reichert
    The Good Fight: The Films of Julia Reichert

    By Robert Kotyk In the first scene of Julia Reichert’s first film, Growing Up Female (co-directed with Jim Klein, 1971), a woman takes the hand of More →

  • Jeanne (Bruno Dumont, France)
    Jeanne (Bruno Dumont, France)

    I’ve exited the last several Bruno Dumont films wondering—only somewhat in jest—whether or not their maker had gone completely insane. Until 2014, Dumont was notorious for his straight-faced, neo-Bressonian, severely severe dramas that interrogated the intersection of spiritualism and material form. More →

  • Exploded View | Flaubert Dreams of Travel But the Illness of His Mother Prevents It
    Exploded View | Flaubert Dreams of Travel But the Illness of His Mother Prevents It

    Undersung filmmaker Ken Kobland’s strange, sumptuous slice of classically minded surrealism, Flaubert Dreams of Travel But the Illness of His Mother Prevents It, created in 1986 in collaboration with The Wooster Group (America’s experimental-theatre ensemble extraordinaire) is, too, a creature born from Flaubert’s polymorphous bestiary. More →