By Kiva Reardon Toronto’s Images Festival presents something of a glut of convenience for media in attendance. Offering streaming links to almost their entire programme, the festival can be consumed from a couch, in sporadic order and with no regard for curatorial intent, which beggars the question: Is a collection of Vimeo links really a…

By Adam Nayman Despite its ruggedly physical mien, William Friedkin’s Sorcerer is a haunted movie, possessed by the unavoidable spectre of its smash-hit predecessor The Exorcist (1974). Even as he ostensibly disavowed the supernatural in what was originally intended to be a moderately-budgeted in-between picture before he embarked on a major production about the Bermuda…